I think we got out just in time. I saw one bug mug a guy. Taking of Pelham One Two Three (42nd Anniversary Special Edition) [Blu-ray] Walter Matthaw. Dolowitz Takes a Look/Dolowitz Gets Killed. [5] It was remade in 1998 as a television film and was again remade in 2009 as a theatrical film. As urban thrillers became grittier affairs during the late 1960s and early 1970s, so did their soundtracks: hit films like Bullitt and The French Connection threw aside classical-styled orchestral soundtracks in favor of jazz-inspired music that used non-orchestral electric instruments. By the fifth week we were dancing our way through those tunnels like nobody's business. The hijackers set the train in motion and get off. First, the obvious: MGM exclusive titles are either pristine and awe-inspiring, or, you know, the exact opposite, with little leeway between the two options, and second, the age and aesthetic for the film. AKA: Stoppt die Todesfahrt der U Bahn 123, The Taking of Pelham 1 2 3, Panic on the Subway Express, El tomar de Pelham uno dos tres, Pelham. Pause. [14] The soundtrack album was the first CD release by Film Score Monthly and was later released by Retrograde Records. [5] Shire used the 12-tone composition method to create unusual, somewhat dissonant melodic elements. The original Pelham 1,2,3 was wonderfully directed and acted. The first car of Pelham 1-2-3 as it enters 28th St. is car 7339. "[1], Sargent said, "It's important that we don’t be too plausible. I must admit the seriousness of 'Pelham' never occurred to me until we got the initial TA reaction. Made during the two … At least two different R22 trains portrayed Pelham 1-2-3. Wikipedia. The one downside of The Taking of Pelham 123 is that it is a short disc (the running time is just barely over a half-hour), but it does contain the complete score and rounds out the package with an impressive set of liner notes that include track-by-track annotation and an interview with the composer. The Taking of Pelham One Two Three (1974) Cast and Crew. '"[1] (The credits have a disclaimer that the Transit Authority did not give advice or information for use in the film.). With no escape, Blue deliberately places his foot against the third rail and electrocutes himself. I didn't feel … In New York, armed men hijack a subway car and demand a ransom for the passengers. 4:44. The film received critical acclaim and holds a rating of 100 percent on Rotten Tomatoes, based on 41 reviews. The Taking: Blue: More Taking: Dolowitz Takes A Look: Dolowitz Killed: Blue Green Talk: Money Montage I: Money Montage II: Fifty Seconds: The Money Express: Conductor Killed: The Money Bag: The Pelham's-Moving-Again Blues: I'm A Police Officer: Renewing Disguises: Goodbye Green, Hello Garber, Goodbye Hippie: Smoking More, Enjoying It Less: Mini-Manhunt: … A ransom is set - at o. "[22], Roger Ebert's contemporary review gave the film 3 out of a possible 4 stars. Meanwhile, the movie adds up to a fine piece of reporting—and it's the only action picture I've seen this year that has a rousing plot. Remakes have been around nearly as long as Hollywood itself, and not always for the reasons or with the results you’d think. I didn't go into 'The Taking of Pelham One Two Three' with high expectations in the video department, for a few reasons. "The Taking of Pelham One Two Three (1974)", The Taking of Pelham One Two Three (1974 film), For Love or Country: The Arturo Sandoval Story, https://en.wikipedia.org/w/index.php?title=The_Taking_of_Pelham_One_Two_Three_(1974_film)&oldid=1021866172, Short description is different from Wikidata, Articles with unsourced statements from April 2010, Articles with unsourced statements from July 2015, Creative Commons Attribution-ShareAlike License, William Snickowski as The Hippie, An Undercover Police Officer, Jerry Holland as Bud Carmody, Train Conductor, Neil Brooks Cunningham as Patrolman Miskowsky, 1976: Nominated, "Best Supporting Actor"—, 1975: Nominated, "Best Drama Adapted from Another Medium"—, This page was last edited on 7 May 2021, at 03:15. "[1] In the novel, Inspector Daniels confronts Mr. Blue in the tunnel during the climax. He turned white as a sheet. Haun, Harry (April 7, 1974). While the trade paper complained that the Mayor was "played for silly laughs", it called Shaw "superb in another versatile characterization". Taking of Pelham One Two Three (42nd Anniversary Special Edition) [Blu-ray] Walter Matthaw. However, in an early scene at Grand Central, 7339 is seen on the express track across the platform. Godey's novel was more detailed about how the hijackers would accomplish their goal and recognized that the caper's success did not rely solely on defeating the "deadman feature" in the motorman's cab. "[19], The film was one of several released that year that gave New York a bad image, including Law and Disorder, Death Wish, Serpico, and The Super Cops. Watch it back-to-back with The Warriors for a double helping of glorious, gritty 70s New York… Rating: 105/123. The Taking of Pelham 123 (Original Motion Picture Soundtrack) Harry Gregson-Williams. [15], The Taking of Pelham One Two Three was released on October 2, 1974. The traffic impossible. Released in: 1974. "Taking A-Train—for Keeps". David Shire - Mini Manhunt - from the movie - The Taking Of Pelham One Two Three .mp4. Before the process is complete, however, Green moves the train farther south. Screenwriter Stone, however, made a fictional override mechanism the lynchpin of the script. This the original film sound track for The Taking of Pelham One Two Threemade back in 1974 stars Walter Matthau & Robert Shaw [citation needed] Although not particularly well received by critics or viewers, this version was reportedly more faithful to the book, though it revised the setting with new technologies. Services are diminishing and the morale is such that ordering a cup of coffee in a diner can turn into a request for a fat lip." They're mostly old-timers. It screeches to a halt, leaving the hostages bruised but safe. Garber surmises that one hijacker must be a former motorman since they were able to uncouple the car and park it down the tunnel below 28th Street. "But the TA was adamant on that score. "Throughout there’s a skillful balance between the vulnerability of New Yorkers and the drastic, provocative sense of comedy that thrives all over our sidewalks. The hijackers override the dead-man's switch so that the train will run without anyone at the controls. And this to me is one of the coolest main themes of film music. "We are going to kill one passenger a … ), The production company set up chess boards, card tables, and ping pong tables along the Court Street platform for cast and crew recreation between set-ups. In the novel, Garber is the equivalent of the Patrone character in the film. The building was demolished in the 1980s. Green sneezes periodically, to which Garber always responds, "Gesundheit". They said the graffiti fad would be dead by the time the movie got out. Blu-ray. That's why they're kooks. Additionally, New York City was edging toward a financial crisis; crime had risen citywide (as depicted in the contemporaneous film Death Wish); and the subway was perceived as neither safe nor reliable. Although this policy was eventually rescinded, dispatchers have generally avoided scheduling a Pelham train at 1:23 p.m. or a.m.[16], The film was well-received by critics. [13], The Jerry Fielding and Don Ellis sounding score, composed and conducted by David Shire, "layers explosive horn arrangements and serpentine keyboard riffs over a rhythm section that pits hard-grooving basslines against constantly shifting but always insistent layers of percussion". Among later films shot there were Butterfield 8, The Godfather, The Wiz, and Manhattan. Grand Central Station, New York. The hijackers collect their disguises and weapons for disposal, but Grey refuses to surrender his gun, resulting in a stand-off with Blue, who shoots him dead. The acting in the re-make was adequate but there was just no chemistry between any of the actors. The Taking Of Pelham One Two Three (1974) Before the first image appears, the music starts: martial drums beneath a driving bassline punctuated by low, staccato horns. It's run by fools. Unaware that the hijackers have left the train, Garber and Daniels drive south above the train's route. [26], 1974 thriller film directed by Joseph Sargent. The money is delivered and divided among the hijackers. With Walter Matthau, Robert Shaw, Martin Balsam, Hector Elizondo. Sayre, Nora (October 3, 1974). Big ugly bugs from the planet Uranus. In the end, The Taking of Pelham 123 is one of the best and most inventive thriller scores of the 1970s, and a worthwhile discovery for fans of jazzy soundtracks. Cold professionals can see the absurdities of the plot right off, but kooks don't reason it out. These were filmed over the course of eight weeks on the local tracks of the IND Fulton Street Line at the abandoned Court Street in Brooklyn. [14] The end titles contain a more expansive arrangement of the theme, courtesy of Shire's wife at the time, Talia Shire, who suggested that he end the score with a more traditional ode to New York. Filming began on November 23, 1973, and was completed in late April 1974. We have a great online selection at the lowest prices with Fast & Free shipping on many items! (Among other films, the Court Street station was used for The French Connection, Death Wish, and the 2009 remake of Pelham. However, at Grand Central, 7339 is seen on the opposite track across the platform. When it enters the South Ferry loop, its speed triggers the automatic safeties. 4.6 out of 5 stars 606. Its citizens are at the mercy of its criminals who, as often as not, are protected by an unholy alliance of civil libertarians and crooked cops. Built around 1920 as Cosmopolitan Studios, the facility was leased in 1928 by MGM for sound production and purchased by Filmways in 1959. "I like the piece", Matthau said. "[20], The Boston Globe called it "fast, funny and fairly terrifying", and "a nerve-racking ride", and appreciated the "wry humor" of Stone's script. I really doubt that. Meanwhile, Pelham 1-2-3 hurtles through the southbound tunnel. DAVID SHIRE * THE TAKING OF PELHAM 123 MAIN TITLE. That's the reason I wanted to do it. Mojo Music (Independent) 2:19 4.0 out of 5 stars. We argued that it was artistically expressive. It tapped into a darker reality: "A short time ago subways were safe; today some of them are full of the dark rage of asylums. In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it's paid, how could they get away? They said to show graffiti would be to glorify it. I wasn't down there a long time—but long enough to develop the strangest cold I ever had. After eight weeks of negotiations, and through the influence of Mayor John Lindsay, the MTA relented, but required that the producers take out $20 million in insurance policies, including special "kook coverage" in case the movie inspired a real-life hijacking. The young guys still have a healthy fear of the place. The mayor's residence, Gracie Mansion, was used for exteriors. Garber, his co-worker Lt. Rico Patrone, and others cooperate while speculating about the hijackers' escape plan. One of the best soundtracks in this vein is David Shire's ambitious jazz score for The Taking of Pelham 123, a fast-paced thriller about a group of criminals who hijack a subway car in New York City. A packed commuter train is hijacked. It grossed $16,550,000 at the box office. Trailer: The TA inspector I play is really a supporting role—they built it up a bit when I expressed interest in it—but it's still secondary. Musically, it features "one of the best and most inventive thriller scores of the 1970s". Garber joins Inspector Daniels above ground where the train stopped. Dialogue that was marred by the noise was later post-dubbed. He praised the film's "unforced realism", and the supporting characters who elevated what could have been a predictable crime thriller: "we care about the people not the plot mechanics. They all settled in the New York subway tunnels. [17], BoxOffice thought that "some of the excitement has been lost" translating the novel to the screen, but "there is entertainment value in Peter Stone's screenplay". [9] Shaw's biographer, John French, reported: "There were rats everywhere and every time someone jumped from the train, or tripped over the lines, clouds of black dust rose into the air, making it impossible to shoot until it had settled. The Taking of Pelham One Two Three soundtrack CD details and availability. And the hijacking seems like a perfectly probable event for this town. It is probably best known for inspiring the colour-coded naming of the villains in Reservoir Dogs. There are some marvelously managed scenes in the subway tunnels and on teeming platforms and at the barricaded street-level entrances. Variety called it "a good action caper" but "the major liability is Peter Stone's screenplay, which develops little interest in either Matthau or Shaw's gang, nor the innocent hostages" which are "simply stereotyped baggage". In New York City, four men wearing similar disguises and carrying concealed weapons board the same downtown 6 train, Pelham 1-2-3, at different stations. "[23], Gene Siskel also gave the film 3 out of 4 stars, describing it as a "solid new thriller laced with equal amounts of tension and comedy. Later, after being cut from the rest of the train, the head car is labeled 7434. Subway Hijacking". The Taking of Pelham One Two Three. As the deadline is reached, Garber bluffs Blue by telling him that the money has reached the station and just has to be walked down the tunnel to the train. The ransom is transported uptown in a speeding police car that crashes well before it reaches 28th Street. "[1] (Mayor Lindsay declared the first war on graffiti in 1972, but it flourished until May 12, 1989, when the last graffiti-covered car was removed from revenue service.). 4.7 out of 5 stars. Taking of Pelham One Two Three, The (1974) Composer (s): David Shire. [12] R22 cars first went into service in April 1957, and the vast majority of the 450 cars were scrapped in 1987. One of the best soundtracks in this vein is David Shire's ambitious jazz score for The Taking of Pelham 123, a fast-paced thriller about a group of criminals who hijack a subway car in New York City. Garber vows to return with a search warrant. Blue orders Garber to restore power to the subway line, set the signals to green all the way to South Ferry, and clear the police from stations along the route. Closed to the public in 1946, it became a filming location and home to the New York Transit Museum. Good examples of the score's hard-hitting approach include "Main Title," which layers explosive horn arrangements and serpentine keyboard riffs over a rhythm section that pits hard-grooving basslines against constantly shifting but always insistent layers of percussion, and which layers ominous brass over a rumbling barrage of fast-paced percussion, and "Money Montage" which creates maximum tension by letting the horn section duel with the rhythm section on a tune that constantly and abruptly shifts its tempo. Movie Action, Thriller, Crime "The Taking of Pelham One Two Three" Torrent is rated with 7.4 points out of 10 on IMDb (Internet Movie Database) according to 271 ratings by critics.

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